{"id":960,"date":"2008-03-02T10:52:00","date_gmt":"2008-03-02T10:52:00","guid":{"rendered":"http:\/\/spoilermovies.com.br\/?p=960"},"modified":"2008-03-02T10:52:00","modified_gmt":"2008-03-02T10:52:00","slug":"cenarios-diretores-de-arte","status":"publish","type":"post","link":"https:\/\/spoilermovies.com.br\/2008\/03\/02\/cenarios-diretores-de-arte\/","title":{"rendered":"Cen\u00e1rios & Diretores de Arte"},"content":{"rendered":"
As fun\u00e7\u00f5es do diretor de arte numa produ\u00e7\u00e3o abrangem um imenso leque 100 99 98 97 96 95 94 93 92 91 90 89 88 87 86 85 84 83 82 81 80 79 78 77 76 75 74 73 72 71 70 69 68 67 66 65 64 63 62 61 60 59 58 57 56 55 54 53 52 51 50 49 48 47 46 45 44 43 42 41 40 39 38 37 36 35 34 33 32 31 30 29 28 27 26 25 24 23 22 21 20 19
\nde atividades. Cada projeto tem sua identidade e para realiz\u00e1-lo os profissionais
\nlan\u00e7am m\u00e3o dos mais diversos recursos.
\nAlessandra Meleiro<\/strong><\/em><\/p>\n
\nCroquis de William Cameron Menzies & Lyle Wheeler do Inc\u00eandio de Atlanta, Quarto de Scarlet e Bazar de Atlanta para o filme …E O VENTO LEVOU<\/em><\/font>100 Cen\u00e1rios, 100 Diretores de Arte<\/strong><\/font><\/p>\n
\nPatrizia Von Brandenstein<\/strong>
\n“Amadeus” (1985)<\/em><\/p>\n
\nJosie MacAvin<\/strong>
\n“Entre Dois Amores” (1985)<\/em><\/p>\n
\nJohn Bryan<\/strong>
\n“Grandes Esperan\u00e7as” (1947)<\/em><\/p>\n
\nJames Payne<\/strong>
\n“Um Golpe de Mestre” (1973)<\/em><\/p>\n
\nIra Webb<\/strong>
\n“O Fantasma da \u00d3pera” (1943)<\/em><\/p>\n
\nGianni Quaranta<\/strong>
\n“Uma Janela Para o Amor” (1983)<\/em><\/p>\n
\nGene Allens<\/strong>
\n“My Fair Lady” (1964)<\/em><\/p>\n
\nEdward Carrere<\/strong>
\n“Camelot” (1967)<\/em><\/p>\n
\nGrant Major <\/strong>
\n“O Senhor dos An\u00e9is” (2002, 2003, 2004)<\/em><\/p>\n
\nPeter Young<\/strong>
\n“A Lenda do Cavaleiro Sem Cabe\u00e7a” (1999)<\/em><\/p>\n
\nPerry Ferguson<\/strong>
\n“A Estrela do Norte” (1943)<\/em><\/p>\n
\nMarvin March<\/strong>
\n“A Fam\u00edlia Addams” (1993)<\/em><\/p>\n
\nLinda DeScenna<\/strong>
\n“A Cor P\u00farpura” (1985)<\/em><\/p>\n
\nHans Peters<\/strong>
\n“O Retrato de Dorian Gray” (1945)<\/em><\/p>\n
\nHal Gausman<\/strong>
\n“Os Intoc\u00e1veis” (1987)<\/em><\/p>\n
\nAnton Grot<\/strong>
\n“A Vida de \u00c9mile Zola” (1937)<\/em><\/p>\n
\nAlbert D’Agostino<\/strong>
\n“Soberba” (1942)<\/em><\/p>\n
\nAlbert Brenner<\/strong>
\n“2010” (1984)<\/em><\/p>\n
\nVincent Korda<\/strong>
\n“O Ladr\u00e3o de Bagd\u00e3” (1940)<\/em><\/p>\n
\nRaphael Bretton<\/strong>
\n“Al\u00f4, Dolly!” (1969)<\/em><\/p>\n
\nPeter Lamont<\/strong>
\n“Titanic” (1997)<\/em><\/p>\n
\nNancy Haigh<\/strong>
\n“Bugsy” (1991)<\/em><\/p>\n
\nJack Moore<\/strong>
\n“Quatro Destinos” (1949)<\/em><\/p>\n
\nIan Whittaker<\/strong>
\n“Retorno \u00e0 Howard Ends” (1992)<\/em><\/p>\n
\nGeorge Nelson<\/strong>
\n“O Poderoso Chef\u00e3o II” (1974)<\/em><\/p>\n
\nErnst Fegte<\/strong>
\n“Gaivota Negra” (1945)<\/em><\/p>\n
\nAngelo Graham <\/strong>
\n“O Poderoso Chef\u00e3o II” (1974)<\/em><\/p>\n
\nHarry Horner<\/strong>
\n“Desafio \u00e0 Corrup\u00e7\u00e3o” (1961)<\/em><\/p>\n
\nAngelo Graham <\/strong>
\n“Apocalipse Now” (1979)<\/em><\/p>\n
\nWiard Ihnen <\/strong>
\n“Wilson” (1944)<\/em><\/p>\n
\nRobert Priestley<\/strong>
\n“F\u00e9rias de Amor” (1955)<\/em><\/p>\n
\nGil Parrondo <\/strong>
\n“Nicholas & Alexandra” (1971)<\/em><\/p>\n
\nWilliam Kiernan<\/strong>
\n“Nosso Amor de Ontem” (1973)<\/em><\/p>\n
\nVan Nest Polglase<\/strong>
\n“Cidad\u00e3o Kane” (1941)<\/em><\/p>\n
\nRichard Pefferle<\/strong>
\n“Madame Bovary” (1949)<\/em><\/p>\n
\nLeland Fuller <\/strong>
\n“Laura” (1944)<\/em><\/p>\n
\nTed Haworth<\/strong>
\n“Sayonara” (1957)<\/em><\/p>\n
\nTambi Larsen <\/strong>
\n“A Rosa Tatuada” (1955)<\/em><\/p>\n
\nStephen Goosson<\/strong>
\n“Horizonte Perdido” (1937)<\/em><\/p>\n
\nJulia Heron<\/strong>
\n“Spartacus” (1960)<\/em><\/p>\n
\nJoseph Kish <\/strong>
\n“A Nau dos Insensatos” (1965)<\/em><\/p>\n
\nJames Basevi<\/strong>
\n“A Can\u00e7\u00e3o de Bernadette” (1943)<\/em><\/p>\n
\nDean Tavoularis <\/strong>
\n“O Poderoso Chef\u00e3o II” (1974)<\/em><\/p>\n
\nWilliam Cameron Menzies<\/strong>
\n“Mulher Cobi\u00e7ada” (1928)<\/em><\/p>\n
\nMichael Ford<\/strong>
\n“Titanic” (1997)<\/em><\/p>\n
\nHenry Bumstead<\/strong>
\n“Golpe de Mestre” (1973)<\/em><\/p>\n
\nGeorge Gaines <\/strong>
\n“O C\u00e9u Pode Esperar” (1978)<\/em><\/p>\n
\nGene Callahan<\/strong>
\n“America, America” (1963)<\/em><\/p>\n
\nDario Simoni<\/strong>
\n“Doutor Jivago” (1965)<\/em><\/p>\n
\nVernon Dixon<\/strong>
\n“Oliver!” (1968)<\/em><\/p>\n
\nJohn Meehan<\/strong>
\n“20000 L\u00e9guas Submarinas” (1954)<\/em><\/p>\n
\nLionel Banks <\/strong>
\n“Ana dos Mil Dias” (1969)<\/em><\/p>\n
\nJack Otterson<\/strong>
\n“Louca Por M\u00fasica ” (1938)<\/em><\/p>\n
\nFrank McKelvy<\/strong>
\n“Terremoto” (1974)<\/em><\/p>\n
\nDarrell Silverar <\/strong>
\n“Cidad\u00e3o Kane” (1941)<\/em><\/p>\n
\nCarroll Clark<\/strong>
\n“Mary Poppins” (1964)<\/em><\/p>\n
\nFrancesca Lo Schiavo <\/strong>
\n“Hamlet” (1990)<\/em><\/p>\n
\nWilliam Horning<\/strong>
\n“Gigi” (1958)<\/em><\/p>\n
\nPreston Ames<\/strong>
\n“Sinfonia em Paris” (1951)<\/em><\/p>\n
\nLeslie Dilley<\/strong>
\n“Os Ca\u00e7adores da Arca Perdida” (1981)<\/em><\/p>\n
\nKen Adam<\/strong>
\n“As Loucuras do Rei George” (1994)<\/em><\/p>\n
\nRobert Clatworthy <\/strong>
\n“A Nau dos Insensatos” (1965)<\/em><\/p>\n
\nEdward Boyle<\/strong>
\n“Se Meu Apartamento Falasse” (1960)<\/em><\/p>\n
\nDante Ferretti <\/strong>
\n“O Aviador” (2004)<\/em><\/p>\n
\nUrie McCleary<\/strong>
\n“Pattom, Rebelde ou Her\u00f3i?” (1970)<\/em><\/p>\n
\nStuart Reiss <\/strong>
\n“O Di\u00e1rio de Anne Frank” (1959)<\/em><\/p>\n
\nRichard Sylbert<\/strong>
\n“Dick Tracy” (1990)<\/em><\/p>\n
\nNorman Reynolds<\/strong>
\n“Star Wars” (1977)<\/em><\/p>\n
\nKeogh Gleason<\/strong>
\n“Sinfonia em Paris” (1951)<\/em><\/p>\n
\nHoward Bristol <\/strong>
\n“\u00cddolo, Amante e Her\u00f3i” (1942)<\/em><\/p>\n
\nArthur Krams<\/strong>
\n“Lili” (1953)<\/em><\/p>\n
\nRussell Gausman<\/strong>
\n“Spartacus” (1960)<\/em><\/p>\n
\nWilliam S. Darling<\/strong>
\n“A Can\u00e7\u00e3o de Bernadette” (1943)<\/em><\/p>\n
\nWalter Tyler<\/strong>
\n“Os Dez Mandamentos” (1956)<\/em><\/p>\n
\nBoris Leven<\/strong>
\n“Amor, Sublime Amor” (1961)<\/em><\/p>\n
\nEmile Kuri<\/strong>
\n“20000 L\u00e9guas Submarinas” (1954)<\/em><\/p>\n
\nStuart Craig<\/strong>
\n“O Paciente Ingl\u00eas” (1996)<\/em><\/p>\n
\nJohn Box<\/strong>
\n“Lawrence da \u00c1rabia” (1962)<\/em><\/p>\n
\nJack Martin Smith<\/strong>
\n“Viagem Fant\u00e1stica” (1966)<\/em><\/p>\n
\nJoseph Wright<\/strong>
\n“Minha Namorada Favor\u00edta” (1942)<\/em><\/p>\n
\nEdward Carfagno<\/strong>
\n“Ben-Hur” (1959)<\/em><\/p>\n
\nHenry Grace<\/strong>
\n“Gigi” (1958)<\/em><\/p>\n