{"id":8210,"date":"2010-11-26T00:07:11","date_gmt":"2010-11-26T03:07:11","guid":{"rendered":"http:\/\/spoilermovies.com.br\/?p=8210"},"modified":"2010-11-26T00:07:11","modified_gmt":"2010-11-26T03:07:11","slug":"os-melhores-montadores-do-cinema","status":"publish","type":"post","link":"https:\/\/spoilermovies.com.br\/2010\/11\/26\/os-melhores-montadores-do-cinema\/","title":{"rendered":"Os Melhores Montadores do Cinema"},"content":{"rendered":"
“O montador d\u00e1 o ritmo do filme, em um trabalho que est\u00e1 diretamente ligado \u00e0 harmonia que ele tem com o diretor”<\/em><\/p>\n

Ver\u00f4nica Kovensky<\/b><\/div>\n

H\u00e1 v\u00e1rios motivos para assistir um filme: Pelo espet\u00e1culo, pelo riso, pela arte… E ent\u00e3o h\u00e1 pessoas. N\u00e3o pessoas que v\u00e3o assistir aos filmes, mas as do pr\u00f3prio filme! Os personagens conjurados pelo ator que interpretam palavras do escritor, guiadas pelo diretor, atrav\u00e9s da celul\u00f3ide do fotogr\u00e1fo, projetado na tela por um feixe de luz. Assim muitos nos convencem \u00e0 acreditar de fato nessas pessoas tanto quanto n\u00f3s acreditamos em n\u00f3s mesmos. <\/p>\n

Hoje, Spoiler vai homenagear essas pessoas: Mitos que fizeram de suas vidas, os nossos sonhos. Deuses que fizeram de seu trabalho, uma lenda. Monstros que fizeram da historia, uma arte… <\/p>\n

Mitos, Deuses e Monstros:<\/font><\/strong><\/p>\n

\n

\t100\t<\/font>
\n\tZach Staenberg\t<\/strong>
\n\t“Matrix” (1999)\t<\/em><\/p>\n

\t99\t<\/font>
\n\tWilliam Holmes\t<\/strong>
\n\t“Sargento York” (1941)\t<\/em><\/p>\n

\t98\t<\/font>
\n\tTom Rolf\t<\/strong>
\n\t“Os Eleitos” (1983)\t<\/em><\/p>\n

\t97\t<\/font>
\n\tThomas Stanford\t<\/strong>
\n\t“Amor, Sublime Amor” (1961)\t<\/em><\/p>\n

\t96\t<\/font>
\n\tThom Noble\t<\/strong>
\n\t“A Testemunha” (1985)\t<\/em><\/p>\n

\t95\t<\/font>
\n\tStewart Linder \t<\/strong>
\n\t“Grand Prix” (1966)\t<\/em><\/p>\n

\t94\t<\/font>
\n\tStephen Rotter \t<\/strong>
\n\t“Os Eleitos” (1983)\t<\/em><\/p>\n

\t93\t<\/font>
\n\tStephen Mirrione\t<\/strong>
\n\t“Traffic” (2000)\t<\/em><\/p>\n

\t92\t<\/font>
\n\tScott Conrad\t<\/strong>
\n\t“Rocky – O Lutador” (1976)\t<\/em><\/p>\n

\t91\t<\/font>
\n\tRichard Halsey\t<\/strong>
\n\t“Rocky – O Lutador” (1976)\t<\/em><\/p>\n

\t90\t<\/font>
\n\tPeter Taylor\t<\/strong>
\n\t“A Ponte do Rio Kwai” (1957)\t<\/em><\/p>\n

\t89\t<\/font>
\n\tNeil Travis\t<\/strong>
\n\t“Dan\u00e7a com Lobos” (1990)\t<\/em><\/p>\n

\t88\t<\/font>
\n\tMartin Walsh\t<\/strong>
\n\t“Chicago” (2002)\t<\/em><\/p>\n

\t87\t<\/font>
\n\tJamie Selkirk\t<\/strong>
\n\t“O Senhor dos An\u00e9is: O Retorno do Rei” (2003)\t<\/em><\/p>\n

\t86\t<\/font>
\n\tJames Cameron\t<\/strong>
\n\t“Titanic” (1997)\t<\/em><\/p>\n

\t85\t<\/font>
\n\tHugh Fowler\t<\/strong>
\n\t“Patton, Rebelde ou Her\u00f3i ” (1970)\t<\/em><\/p>\n

\t84\t<\/font>
\n\tHenry Berman\t<\/strong>
\n\t“Grand Prix” (1966)\t<\/em><\/p>\n

\t83\t<\/font>
\n\tGlenn Farr\t<\/strong>
\n\t“Os Eleitos” (1983)\t<\/em><\/p>\n

\t82\t<\/font>
\n\tGabriella Cristiani\t<\/strong>
\n\t“O \u00daltimo Imperador” (1987)\t<\/em><\/p>\n

\t81\t<\/font>
\n\tFrank Santillo\t<\/strong>
\n\t“Grand Prix” (1966)\t<\/em><\/p>\n

\t80\t<\/font>
\n\tFrancoise Bonnot\t<\/strong>
\n\t“Z” (1969)\t<\/em><\/p>\n

\t79\t<\/font>
\n\tFrancis Lyon\t<\/strong>
\n\t“Corpo e Alma” (1947)\t<\/em><\/p>\n

\t78\t<\/font>
\n\tDouglas Steward\t<\/strong>
\n\t“Os Eleitos” (1983)\t<\/em><\/p>\n

\t77\t<\/font>
\n\tDavid Bretherton\t<\/strong>
\n\t“Cabaret” (1972)\t<\/em><\/p>\n

\t76\t<\/font>
\n\tDavid Brenner\t<\/strong>
\n\t“Nascido em 4 de Julho” (1989)\t<\/em><\/p>\n

\t75\t<\/font>
\n\tClaire Simpson\t<\/strong>
\n\t“Platoon” (1986)\t<\/em><\/p>\n

\t74\t<\/font>
\n\tCarl Kress\t<\/strong>
\n\t“Inferno na Torre” (1974)\t<\/em><\/p>\n

\t73\t<\/font>
\n\tWilliam Ziegler\t<\/strong>
\n\t“My Fair Lady” (1964)\t<\/em><\/p>\n

\t72\t<\/font>
\n\tWilliam Steinkamp\t<\/strong>
\n\t“Totsie” (1982)\t<\/em><\/p>\n

\t71\t<\/font>
\n\tStuart Gilmore\t<\/strong>
\n\t“O \u00c1lamo” (1970)\t<\/em><\/p>\n

\t70\t<\/font>
\n\tSam O’Steen\t<\/strong>
\n\t“Chinatown” (1977)\t<\/em><\/p>\n

\t69\t<\/font>
\n\tRobert Wolfe\t<\/strong>
\n\t“Todos os Homens do Presidente” (1976)\t<\/em><\/p>\n

\t68\t<\/font>
\n\tRobert Swink\t<\/strong>
\n\t“Funny Girl” (1968)\t<\/em><\/p>\n

\t67\t<\/font>
\n\tRobert Jones\t<\/strong>
\n\t“Essa Terra \u00e9 Minha Terra” (1976)\t<\/em><\/p>\n

\t66\t<\/font>
\n\tRichard Francis Bruce\t<\/strong>
\n\t“Se7en” (1995)\t<\/em><\/p>\n

\t65\t<\/font>
\n\tRalph Kemplen\t<\/strong>
\n\t“Moulin Rouge” (1952)\t<\/em><\/p>\n

\t64\t<\/font>
\n\tPhilip Anderson\t<\/strong>
\n\t“Sayonara” (1957)\t<\/em><\/p>\n

\t63\t<\/font>
\n\tPembroke Herring\t<\/strong>
\n\t“Entre Dois Amores” (1985)\t<\/em><\/p>\n

\t62\t<\/font>
\n\tFrank Urioste\t<\/strong>
\n\t“Robocop” (1987)\t<\/em><\/p>\n

\t61\t<\/font>
\n\tFerris Webster\t<\/strong>
\n\t“Sob o Dom\u00ednio do Mal” (1962)\t<\/em><\/p>\n

\t60\t<\/font>
\n\tDoane Harrison\t<\/strong>
\n\t“Crep\u00fasculo dos Deuses” (1950)\t<\/em><\/p>\n

\t59\t<\/font>
\n\tDede Allen\t<\/strong>
\n\t“Reds” (1981)\t<\/em><\/p>\n

\t58\t<\/font>
\n\tVerna Fields\t<\/strong>
\n\t“Tubar\u00e3o” (1975)\t<\/em><\/p>\n

\t57\t<\/font>
\n\tRobert Parrish\t<\/strong>
\n\t“Corpo e Alma” (1947)\t<\/em><\/p>\n

\t56\t<\/font>
\n\tRobert Kern\t<\/strong>
\n\t“A Mocidade \u00e9 Assim Mesmo” (1945)\t<\/em><\/p>\n

\t55\t<\/font>
\n\tRichard Chew\t<\/strong>
\n\t“Um Estranho no Ninho” (1975)\t<\/em><\/p>\n

\t54\t<\/font>
\n\tRichard A. Harris\t<\/strong>
\n\t“Titanic” (1997)\t<\/em><\/p>\n

\t53\t<\/font>
\n\tPaul Hirsch\t<\/strong>
\n\t“Ray” (2004)\t<\/em><\/p>\n

\t52\t<\/font>
\n\tMike Hill\t<\/strong>
\n\t“Uma Mente Brilhante” (2001)\t<\/em><\/p>\n

\t51\t<\/font>
\n\tMargaret Booth\t<\/strong>
\n\t“O Grande Motim” (1935)\t<\/em><\/p>\n

\t50\t<\/font>
\n\tMarcia Lucas\t<\/strong>
\n\t“Star Wars” (1977)\t<\/em><\/p>\n

\t49\t<\/font>
\n\tJohn Dunning\t<\/strong>
\n\t“Ben-Hur” (1959)\t<\/em><\/p>\n

\t48\t<\/font>
\n\tJoel Cox\t<\/strong>
\n\t“Os Imperdo\u00e1veis” (1992)\t<\/em><\/p>\n

\t47\t<\/font>
\n\tJim Clark\t<\/strong>
\n\t“Os Gritos do Sil\u00eancio” (1984)\t<\/em><\/p>\n

\t46\t<\/font>
\n\tJerry Greenberg\t<\/strong>
\n\t“Opera\u00e7\u00e3o Fran\u00e7a” (1971)\t<\/em><\/p>\n

\t45\t<\/font>
\n\tHal Kern\t<\/strong>
\n\t“…E o Vento Levou” (1939)\t<\/em><\/p>\n

\t44\t<\/font>
\n\tHal Ashby\t<\/strong>
\n\t“No Calor da Noite” (1967)\t<\/em><\/p>\n

\t43\t<\/font>
\n\tGene Ruggiero \t<\/strong>
\n\t“A Volta ao Mundo em 80 Dias” (1956)\t<\/em><\/p>\n

\t42\t<\/font>
\n\tElmo Williams\t<\/strong>
\n\t“Matar ou Morrer” (1952)\t<\/em><\/p>\n

\t41\t<\/font>
\n\tDan Hanley\t<\/strong>
\n\t“Apollo 13” (1995)\t<\/em><\/p>\n

\t40\t<\/font>
\n\tCotton Warburton\t<\/strong>
\n\t“Mary Poppins” (1964)\t<\/em><\/p>\n

\t39\t<\/font>
\n\tConrad Buff\t<\/strong>
\n\t“O Exterminador do Futuro 2 – O Julgamento Final” (1991)\t<\/em><\/p>\n

\t38\t<\/font>
\n\tAlan Heim\t<\/strong>
\n\t“All That Jazz” (1979)\t<\/em><\/p>\n

\t37\t<\/font>
\n\tAdrienne Fazan\t<\/strong>
\n\t“Gigi” (1958)\t<\/em><\/p>\n

\t36\t<\/font>
\n\tWarren Low\t<\/strong>
\n\t“A Rosa Tatuada” (1955)\t<\/em><\/p>\n

\t35\t<\/font>
\n\tRichard Marks\t<\/strong>
\n\t“Melhor, Imposs\u00edvel” (1997)\t<\/em><\/p>\n

\t34\t<\/font>
\n\tMichael Luciano\t<\/strong>
\n\t“Os Doze Condenados” (1967)\t<\/em><\/p>\n

\t33\t<\/font>
\n\tDorothy Spencer\t<\/strong>
\n\t“Cleop\u00e1tra” (1963)\t<\/em><\/p>\n

\t32\t<\/font>
\n\tPeter Zinner\t<\/strong>
\n\t“O Franco-Atirador” (1978)\t<\/em><\/p>\n

\t31\t<\/font>
\n\tLisa Fruchtman\t<\/strong>
\n\t“Apocalipse Now” (1979)\t<\/em><\/p>\n

\t30\t<\/font>
\n\tJohn Bloom\t<\/strong>
\n\t“Ghandi” (1982)\t<\/em><\/p>\n

\t29\t<\/font>
\n\tGeorge Amy\t<\/strong>
\n\t“\u00c1guias Americanas” (1943)\t<\/em><\/p>\n

\t28\t<\/font>
\n\tGene Havlick\t<\/strong>
\n\t“Horizonte Perdido” (1937)\t<\/em><\/p>\n

\t27\t<\/font>
\n\tFredric Steinkamp\t<\/strong>
\n\t“Grand Prix” (1966)\t<\/em><\/p>\n

\t26\t<\/font>
\n\tCharles Nelson\t<\/strong>
\n\t“F\u00e9rias de Amor” (1955)\t<\/em><\/p>\n

\t25\t<\/font>
\n\tPaul Weatherwax\t<\/strong>
\n\t“A Volta ao Mundo em 80 Dias” (1956)\t<\/em><\/p>\n

\t24\t<\/font>
\n\tHarry Gerstad\t<\/strong>
\n\t“Matar ou Morrer” (1952)\t<\/em><\/p>\n

\t23\t<\/font>
\n\tAl Clark\t<\/strong>
\n\t“A Mulher faz o Homem” (1934)\t<\/em><\/p>\n

\t22\t<\/font>
\n\tWilliam Hornbeck\t<\/strong>
\n\t“Um Lugar ao Sol” (1951)\t<\/em><\/p>\n

\t21\t<\/font>
\n\tJames Newcom\t<\/strong>
\n\t“…E o Vento Levou” (1939)\t<\/em><\/p>\n

\t20\t<\/font>
\n\tFrank Keller\t<\/strong>
\n\t“Bullit” (1968)\t<\/em><\/p>\n

\t19\t<\/font>
\n\tAnne Bauchens\t<\/strong>
\n\t“O Maior Espet\u00e1culo da Terra” (1952)\t<\/em><\/p>\n

\t18\t<\/font>
\n\tGene Milford\t<\/strong>
\n\t“Sindicato de Ladr\u00f5es” (1954)\t<\/em><\/p>\n

\t17\t<\/font>
\n\tConrad Nervig\t<\/strong>
\n\t“As Minas do Rei Salom\u00e3o” (1950)\t<\/em><\/p>\n

\t16\t<\/font>
\n\tFrederic Knudtson\t<\/strong>
\n\t“Julgamento em Nuremberg” (1961)\t<\/em><\/p>\n

\t15\t<\/font>
\n\tGerry Hambling\t<\/strong>
\n\t“Em Nome do Pai” (1993)\t<\/em><\/p>\n

\t14\t<\/font>
\n\tAnne Coates\t<\/strong>
\n\t“Lawrence da \u00c1rabia” (1962)\t<\/em><\/p>\n

\t13\t<\/font>
\n\tJoe Hutshing\t<\/strong>
\n\t“Nascido em 4 de Julho” (1989)\t<\/em><\/p>\n

\t12\t<\/font>
\n\tPietro Scalia\t<\/strong>
\n\t“JFK – A Pergunta que N\u00e3o Quer Calar” (1991)\t<\/em><\/p>\n

\t11\t<\/font>
\n\tWalter Murch\t<\/strong>
\n\t“O Paciente Ingl\u00eas” (1996)\t<\/em><\/p>\n

\t10\t<\/font>
\n\tThelma Schoonmaker\t<\/strong>
\n\t“Touro Indom\u00e1vel” (1980)\t<\/em><\/p>\n

\t9\t<\/font>
\n\tArthur Schmidt\t<\/strong>
\n\t“Forrest Gump” (1994)\t<\/em><\/p>\n

\t8\t<\/font>
\n\tRalph Dawson\t<\/strong>
\n\t“Sonhos de uma Noite de Ver\u00e3o” (1935)\t<\/em><\/p>\n

\t7\t<\/font>
\n\tBarbara McLean\t<\/strong>
\n\t“A Can\u00e7\u00e3o de Bernadette” (1943)\t<\/em><\/p>\n

\t6\t<\/font>
\n\tHarold Kress\t<\/strong>
\n\t“Inferno na Torre” (1974)\t<\/em><\/p>\n

\t5\t<\/font>
\n\tWilliam Lyon\t<\/strong>
\n\t“\u00c0 um Passo da Eternidade” (1953)\t<\/em><\/p>\n

\t4\t<\/font>
\n\tRalph Winters\t<\/strong>
\n\t“Ben-Hur” (1959)\t<\/em><\/p>\n

\t3\t<\/font>
\n\tDaniel Mandell\t<\/strong>
\n\t“Os Melhores Anos de Nossas Vidas” (1946)\t<\/em><\/p>\n

\t2\t<\/font>
\n\tWilliam Reynolds\t<\/strong>
\n\t“A Novi\u00e7a Rebelde” (1965)\t<\/em><\/p>\n

\t1\t<\/font>
\n\tMichael Kahn\t<\/strong>
\n\t“O Resgate do Soldado Ryan” (1998)\t<\/em><\/div>\n","protected":false},"excerpt":{"rendered":"

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