{"id":8202,"date":"2010-11-26T00:09:50","date_gmt":"2010-11-26T03:09:50","guid":{"rendered":"http:\/\/spoilermovies.com.br\/?p=8202"},"modified":"2010-11-26T00:09:50","modified_gmt":"2010-11-26T03:09:50","slug":"os-melhores-figurinistas-do-cinema","status":"publish","type":"post","link":"https:\/\/spoilermovies.com.br\/2010\/11\/26\/os-melhores-figurinistas-do-cinema\/","title":{"rendered":"Os Melhores Figurinistas do Cinema"},"content":{"rendered":"
Edna Moda, de “Os Incr\u00edveis”, durante a cerim\u00f4nia do OSCAR2005<\/b><\/div>\n
H\u00e1 v\u00e1rios motivos para assistir um filme: Pelo espet\u00e1culo, pelo riso, pela arte… E ent\u00e3o h\u00e1 pessoas. N\u00e3o pessoas que v\u00e3o assistir aos filmes, mas as do pr\u00f3prio filme! Os personagens conjurados pelo ator que interpretam palavras do escritor, guiadas pelo diretor, atrav\u00e9s da celul\u00f3ide do fotogr\u00e1fo, projetado na tela por um feixe de luz. Assim muitos nos convencem \u00e0 acreditar de fato nessas pessoas tanto quanto n\u00f3s acreditamos em n\u00f3s mesmos. <\/p>\n
Hoje, Spoiler vai homenagear essas pessoas: Mitos que fizeram de suas vidas, os nossos sonhos. Deuses que fizeram de seu trabalho, uma lenda. Monstros que fizeram da historia, uma arte… <\/p>\n
Mitos, Deuses e Monstros:<\/font><\/strong><\/p>\n \t100\t<\/font> \t99\t<\/font> \t98\t<\/font> \t97\t<\/font> \t96\t<\/font> \t95\t<\/font> \t94\t<\/font> \t93\t<\/font> \t92\t<\/font> \t91\t<\/font> \t90\t<\/font> \t89\t<\/font> \t88\t<\/font> \t87\t<\/font> \t86\t<\/font> \t85\t<\/font> \t84\t<\/font> \t83\t<\/font> \t82\t<\/font> \t81\t<\/font> \t80\t<\/font> \t79\t<\/font> \t78\t<\/font> \t77\t<\/font> \t76\t<\/font> \t75\t<\/font> \t74\t<\/font> \t73\t<\/font> \t72\t<\/font> \t71\t<\/font> \t70\t<\/font> \t69\t<\/font> \t68\t<\/font> \t67\t<\/font> \t66\t<\/font> \t65\t<\/font> \t64\t<\/font> \t63\t<\/font> \t62\t<\/font> \t61\t<\/font> \t60\t<\/font> \t59\t<\/font> \t58\t<\/font> \t57\t<\/font> \t56\t<\/font> \t55\t<\/font> \t54\t<\/font> \t53\t<\/font> \t52\t<\/font> \t51\t<\/font> \t50\t<\/font> \t49\t<\/font> \t48\t<\/font> \t47\t<\/font> \t46\t<\/font> \t45\t<\/font> \t44\t<\/font> \t43\t<\/font> \t42\t<\/font> \t41\t<\/font> \t40\t<\/font> \t39\t<\/font>
\n\tTim Chappel\t<\/strong>
\n\t“Priscilla, a Rainha do Deserto” (1994)\t<\/em><\/p>\n
\n\tTheoni Aldredge\t<\/strong>
\n\t“O Grande Gatsby” (1974)\t<\/em><\/p>\n
\n\tSanzo Wada\t<\/strong>
\n\t“As Portas do Inferno” (1954)\t<\/em><\/p>\n
\n\tRoger Furse\t<\/strong>
\n\t“Hamlet” (1948)\t<\/em><\/p>\n
\n\tNino Novarese\t<\/strong>
\n\t“Cromwell” (1970)\t<\/em><\/p>\n
\n\tMarcel Vertes\t<\/strong>
\n\t“Moulin Rouge” (1952)\t<\/em><\/p>\n
\n\tLizzy Gardiner\t<\/strong>
\n\t“Priscilla, a Rainha do Deserto” (1994)\t<\/em><\/p>\n
\n\tLindy Hemming\t<\/strong>
\n\t“Topsy-Turvy” (1999)\t<\/em><\/p>\n
\n\tLeah Rhodes\t<\/strong>
\n\t“As Aventuras de Don Juan” (1949)\t<\/em><\/p>\n
\n\tJulie Harris\t<\/strong>
\n\t“Darling, a que Amou Demais” (1965)\t<\/em><\/p>\n
\n\tJohn Truscott\t<\/strong>
\n\t“Camelot” (1967)\t<\/em><\/p>\n
\n\tJoan Bridge\t<\/strong>
\n\t“O Homem que N\u00e3o Vendeu sua Alma” (1966)\t<\/em><\/p>\n
\n\tJanty Yates\t<\/strong>
\n\t“Gladiador” (2000)\t<\/em><\/p>\n
\n\tGwen Wakeling\t<\/strong>
\n\t“Sans\u00e3o & Dalila” (1950)\t<\/em><\/p>\n
\n\tFranca Squarciapino\t<\/strong>
\n\t“Cyrano de Bergerac” (1990)\t<\/em><\/p>\n
\n\tEmile Santiago\t<\/strong>
\n\t“O Manto Sagrado” (1953)\t<\/em><\/p>\n
\n\tEmi Wada\t<\/strong>
\n\t“Ran” (1985)\t<\/em><\/p>\n
\n\tEiko Ishioka\t<\/strong>
\n\t“Dr\u00e1cula, de Bram Stoker” (1992)\t<\/em><\/p>\n
\n\tDeborah Scott\t<\/strong>
\n\t“Titanic” (1997)\t<\/em><\/p>\n
\n\tCatherine Martin\t<\/strong>
\n\t“Moulin Rouge” (2001)\t<\/em><\/p>\n
\n\tBhanu Athaiya\t<\/strong>
\n\t“Gandhi” (1982)\t<\/em><\/p>\n
\n\tAntonio Castillo\t<\/strong>
\n\t“Nicholas & Alexandra” (1971)\t<\/em><\/p>\n
\n\tAngus Strathie\t<\/strong>
\n\t“Moulin Rouge” (2001)\t<\/em><\/p>\n
\n\tWilliam Theiss\t<\/strong>
\n\t“Esta Terra \u00e9 Minha Terra” (1976)\t<\/em><\/p>\n
\n\tShirley Russell\t<\/strong>
\n\t“Reds” (1981)\t<\/em><\/p>\n
\n\tRuth Myers\t<\/strong>
\n\t“A Fam\u00edlia Addams” (1991)\t<\/em><\/p>\n
\n\tRuth Carter\t<\/strong>
\n\t“Amistad” (1999)\t<\/em><\/p>\n
\n\tRichard Taylor\t<\/strong>
\n\t“O Senhor dos An\u00e9is” (2003)\t<\/em><\/p>\n
\n\tRene Hubert\t<\/strong>
\n\t“Desir\u00e9e, O Amor de Napole\u00e3o” (1954)\t<\/em><\/p>\n
\n\tRalph Jester\t<\/strong>
\n\t“Os Dez Mandamentos” (1956)\t<\/em><\/p>\n
\n\tAnthony Mendleson\t<\/strong>
\n\t“A Incr\u00edvel Sarah ” (1970)\t<\/em><\/p>\n
\n\tMaurizio Millenotti\t<\/strong>
\n\t“Hamlet” (1990)\t<\/em><\/p>\n
\n\tMary Ann Nyberg\t<\/strong>
\n\t“Nasce uma Estrela” (1954)\t<\/em><\/p>\n
\n\tDenny Vachlioti\t<\/strong>
\n\t“Nunca aos Domingos” (1960)\t<\/em><\/p>\n
\n\tBob Ringwood\t<\/strong>
\n\t“Imp\u00e9rio do Sol” (1987)\t<\/em><\/p>\n
\n\tJulie Weiss\t<\/strong>
\n\t“12 Macacos” (1995)\t<\/em><\/p>\n
\n\tJudy Moorcroft\t<\/strong>
\n\t“Passagem para \u00cdndia” (1984)\t<\/em><\/p>\n
\n\tJohn Jensen\t<\/strong>
\n\t“Os Dez Mandamentos” (1956)\t<\/em><\/p>\n
\n\tJoe Tompkins\t<\/strong>
\n\t“Os Donos da Noite ” (1989)\t<\/em><\/p>\n
\n\tIrene Gibbons\t<\/strong>
\n\t“Ser ou N\u00e3o Ser” (1942)\t<\/em><\/p>\n
\n\tHerschel McCoy\t<\/strong>
\n\t“Quo Vadis?” (1951)\t<\/em><\/p>\n
\n\tAnthea Sylbert\t<\/strong>
\n\t“Chinatown” (1974)\t<\/em><\/p>\n
\n\tAnna Hill Johnstone\t<\/strong>
\n\t“O Poderoso Chef\u00e3o” (1972)\t<\/em><\/p>\n
\n\tAlexandra Byrne\t<\/strong>
\n\t“Elizabeth” (1998)\t<\/em><\/p>\n
\n\tBarbara Karinska\t<\/strong>
\n\t“Joana D\u00b4Arc” (1948)\t<\/em><\/p>\n
\n\tYvonne Blake\t<\/strong>
\n\t“Nicholas & Alexandra” (1971)\t<\/em><\/p>\n
\n\tArlington Valles\t<\/strong>
\n\t“Spartacus” (1960)\t<\/em><\/p>\n
\n\tGabriella Pescucci\t<\/strong>
\n\t“A \u00c9poca da Inoc\u00eancia” (1993)\t<\/em><\/p>\n
\n\tElois Jenssen\t<\/strong>
\n\t“Sans\u00e3o & Dalila” (1950)\t<\/em><\/p>\n
\n\tTheodor Pistek\t<\/strong>
\n\t“Amadeus” (1984)\t<\/em><\/p>\n
\n\tElizabeth Haffenden\t<\/strong>
\n\t“Ben-Hur” (1959) – “O Homem que N\u00e3o Vendeu sua Alma” (1966)\t<\/em><\/p>\n
\n\tJohn Mollo\t<\/strong>
\n\t“Star Wars” (1977) – “Gandhi” (1982)\t<\/em><\/p>\n
\n\tCecil Beaton\t<\/strong>
\n\t“Gigi” (1958) – “My Fair Lady” (1964)\t<\/em><\/p>\n
\n\tDonald Brooks\t<\/strong>
\n\t“Minha Ador\u00e1vel Espi\u00e3” (1970)\t<\/em><\/p>\n
\n\tMiles White\t<\/strong>
\n\t“O Maior Espet\u00e1culo da Terra” (1952) – “A Volta ao Mundo em 80 Dias” (1956)\t<\/em><\/p>\n
\n\tPaul Zastupnevich\t<\/strong>
\n\t“O Destino de Poseidon” (1972)\t<\/em><\/p>\n
\n\tBob Mackie\t<\/strong>
\n\t“Dinheiro do C\u00e9u” (1981)\t<\/em><\/p>\n
\n\tRay Aghayan\t<\/strong>
\n\t“Funny Lady” (1975)\t<\/em><\/p>\n
\n\tJanet Patterson\t<\/strong>
\n\t“O Piano” (1993)\t<\/em><\/p>\n
\n\tJudianna Makovsky\t<\/strong>
\n\t“A Vida em Preto e Branco” (1998)\t<\/em><\/p>\n
\n\tTony Walton\t<\/strong>
\n\t“Mary Poppins” (1964)\t<\/em><\/p>\n
\n\tDonfeld\t<\/strong>
\n\t“A Honra do Poderoso Prizzi” (1985)\t<\/em><\/p>\n