{"id":8202,"date":"2010-11-26T00:09:50","date_gmt":"2010-11-26T03:09:50","guid":{"rendered":"http:\/\/spoilermovies.com.br\/?p=8202"},"modified":"2010-11-26T00:09:50","modified_gmt":"2010-11-26T03:09:50","slug":"os-melhores-figurinistas-do-cinema","status":"publish","type":"post","link":"https:\/\/spoilermovies.com.br\/2010\/11\/26\/os-melhores-figurinistas-do-cinema\/","title":{"rendered":"Os Melhores Figurinistas do Cinema"},"content":{"rendered":"
O cinema \u00e9 um meio maravilhoso de mostrar a moda. \u00c0s vezes os modelos exageram um pouco, mas eu gosto de seus pequenos desempenhos! O drama enfatiza o movimento das roupas e…qual foi mesmo o show de Ngila Dickson e Richard Taylor….aquele com os gnomos? Ah…”Senhor dos Aneis”…\u00e9 incr\u00edvel! o figurino de Ngila foi ilustre. Senti que vestir roupas na Idade M\u00e9dia teria que ser assim mesmo…<\/em><\/p>\n

Edna Moda, de “Os Incr\u00edveis”, durante a cerim\u00f4nia do OSCAR2005<\/b><\/div>\n

H\u00e1 v\u00e1rios motivos para assistir um filme: Pelo espet\u00e1culo, pelo riso, pela arte… E ent\u00e3o h\u00e1 pessoas. N\u00e3o pessoas que v\u00e3o assistir aos filmes, mas as do pr\u00f3prio filme! Os personagens conjurados pelo ator que interpretam palavras do escritor, guiadas pelo diretor, atrav\u00e9s da celul\u00f3ide do fotogr\u00e1fo, projetado na tela por um feixe de luz. Assim muitos nos convencem \u00e0 acreditar de fato nessas pessoas tanto quanto n\u00f3s acreditamos em n\u00f3s mesmos. <\/p>\n

Hoje, Spoiler vai homenagear essas pessoas: Mitos que fizeram de suas vidas, os nossos sonhos. Deuses que fizeram de seu trabalho, uma lenda. Monstros que fizeram da historia, uma arte… <\/p>\n

Mitos, Deuses e Monstros:<\/font><\/strong><\/p>\n

\n

\t100\t<\/font>
\n\tTim Chappel\t<\/strong>
\n\t“Priscilla, a Rainha do Deserto” (1994)\t<\/em><\/p>\n

\t99\t<\/font>
\n\tTheoni Aldredge\t<\/strong>
\n\t“O Grande Gatsby” (1974)\t<\/em><\/p>\n

\t98\t<\/font>
\n\tSanzo Wada\t<\/strong>
\n\t“As Portas do Inferno” (1954)\t<\/em><\/p>\n

\t97\t<\/font>
\n\tRoger Furse\t<\/strong>
\n\t“Hamlet” (1948)\t<\/em><\/p>\n

\t96\t<\/font>
\n\tNino Novarese\t<\/strong>
\n\t“Cromwell” (1970)\t<\/em><\/p>\n

\t95\t<\/font>
\n\tMarcel Vertes\t<\/strong>
\n\t“Moulin Rouge” (1952)\t<\/em><\/p>\n

\t94\t<\/font>
\n\tLizzy Gardiner\t<\/strong>
\n\t“Priscilla, a Rainha do Deserto” (1994)\t<\/em><\/p>\n

\t93\t<\/font>
\n\tLindy Hemming\t<\/strong>
\n\t“Topsy-Turvy” (1999)\t<\/em><\/p>\n

\t92\t<\/font>
\n\tLeah Rhodes\t<\/strong>
\n\t“As Aventuras de Don Juan” (1949)\t<\/em><\/p>\n

\t91\t<\/font>
\n\tJulie Harris\t<\/strong>
\n\t“Darling, a que Amou Demais” (1965)\t<\/em><\/p>\n

\t90\t<\/font>
\n\tJohn Truscott\t<\/strong>
\n\t“Camelot” (1967)\t<\/em><\/p>\n

\t89\t<\/font>
\n\tJoan Bridge\t<\/strong>
\n\t“O Homem que N\u00e3o Vendeu sua Alma” (1966)\t<\/em><\/p>\n

\t88\t<\/font>
\n\tJanty Yates\t<\/strong>
\n\t“Gladiador” (2000)\t<\/em><\/p>\n

\t87\t<\/font>
\n\tGwen Wakeling\t<\/strong>
\n\t“Sans\u00e3o & Dalila” (1950)\t<\/em><\/p>\n

\t86\t<\/font>
\n\tFranca Squarciapino\t<\/strong>
\n\t“Cyrano de Bergerac” (1990)\t<\/em><\/p>\n

\t85\t<\/font>
\n\tEmile Santiago\t<\/strong>
\n\t“O Manto Sagrado” (1953)\t<\/em><\/p>\n

\t84\t<\/font>
\n\tEmi Wada\t<\/strong>
\n\t“Ran” (1985)\t<\/em><\/p>\n

\t83\t<\/font>
\n\tEiko Ishioka\t<\/strong>
\n\t“Dr\u00e1cula, de Bram Stoker” (1992)\t<\/em><\/p>\n

\t82\t<\/font>
\n\tDeborah Scott\t<\/strong>
\n\t“Titanic” (1997)\t<\/em><\/p>\n

\t81\t<\/font>
\n\tCatherine Martin\t<\/strong>
\n\t“Moulin Rouge” (2001)\t<\/em><\/p>\n

\t80\t<\/font>
\n\tBhanu Athaiya\t<\/strong>
\n\t“Gandhi” (1982)\t<\/em><\/p>\n

\t79\t<\/font>
\n\tAntonio Castillo\t<\/strong>
\n\t“Nicholas & Alexandra” (1971)\t<\/em><\/p>\n

\t78\t<\/font>
\n\tAngus Strathie\t<\/strong>
\n\t“Moulin Rouge” (2001)\t<\/em><\/p>\n

\t77\t<\/font>
\n\tWilliam Theiss\t<\/strong>
\n\t“Esta Terra \u00e9 Minha Terra” (1976)\t<\/em><\/p>\n

\t76\t<\/font>
\n\tShirley Russell\t<\/strong>
\n\t“Reds” (1981)\t<\/em><\/p>\n

\t75\t<\/font>
\n\tRuth Myers\t<\/strong>
\n\t“A Fam\u00edlia Addams” (1991)\t<\/em><\/p>\n

\t74\t<\/font>
\n\tRuth Carter\t<\/strong>
\n\t“Amistad” (1999)\t<\/em><\/p>\n

\t73\t<\/font>
\n\tRichard Taylor\t<\/strong>
\n\t“O Senhor dos An\u00e9is” (2003)\t<\/em><\/p>\n

\t72\t<\/font>
\n\tRene Hubert\t<\/strong>
\n\t“Desir\u00e9e, O Amor de Napole\u00e3o” (1954)\t<\/em><\/p>\n

\t71\t<\/font>
\n\tRalph Jester\t<\/strong>
\n\t“Os Dez Mandamentos” (1956)\t<\/em><\/p>\n

\t70\t<\/font>
\n\tAnthony Mendleson\t<\/strong>
\n\t“A Incr\u00edvel Sarah ” (1970)\t<\/em><\/p>\n

\t69\t<\/font>
\n\tMaurizio Millenotti\t<\/strong>
\n\t“Hamlet” (1990)\t<\/em><\/p>\n

\t68\t<\/font>
\n\tMary Ann Nyberg\t<\/strong>
\n\t“Nasce uma Estrela” (1954)\t<\/em><\/p>\n

\t67\t<\/font>
\n\tDenny Vachlioti\t<\/strong>
\n\t“Nunca aos Domingos” (1960)\t<\/em><\/p>\n

\t66\t<\/font>
\n\tBob Ringwood\t<\/strong>
\n\t“Imp\u00e9rio do Sol” (1987)\t<\/em><\/p>\n

\t65\t<\/font>
\n\tJulie Weiss\t<\/strong>
\n\t“12 Macacos” (1995)\t<\/em><\/p>\n

\t64\t<\/font>
\n\tJudy Moorcroft\t<\/strong>
\n\t“Passagem para \u00cdndia” (1984)\t<\/em><\/p>\n

\t63\t<\/font>
\n\tJohn Jensen\t<\/strong>
\n\t“Os Dez Mandamentos” (1956)\t<\/em><\/p>\n

\t62\t<\/font>
\n\tJoe Tompkins\t<\/strong>
\n\t“Os Donos da Noite ” (1989)\t<\/em><\/p>\n

\t61\t<\/font>
\n\tIrene Gibbons\t<\/strong>
\n\t“Ser ou N\u00e3o Ser” (1942)\t<\/em><\/p>\n

\t60\t<\/font>
\n\tHerschel McCoy\t<\/strong>
\n\t“Quo Vadis?” (1951)\t<\/em><\/p>\n

\t59\t<\/font>
\n\tAnthea Sylbert\t<\/strong>
\n\t“Chinatown” (1974)\t<\/em><\/p>\n

\t58\t<\/font>
\n\tAnna Hill Johnstone\t<\/strong>
\n\t“O Poderoso Chef\u00e3o” (1972)\t<\/em><\/p>\n

\t57\t<\/font>
\n\tAlexandra Byrne\t<\/strong>
\n\t“Elizabeth” (1998)\t<\/em><\/p>\n

\t56\t<\/font>
\n\tBarbara Karinska\t<\/strong>
\n\t“Joana D\u00b4Arc” (1948)\t<\/em><\/p>\n

\t55\t<\/font>
\n\tYvonne Blake\t<\/strong>
\n\t“Nicholas & Alexandra” (1971)\t<\/em><\/p>\n

\t54\t<\/font>
\n\tArlington Valles\t<\/strong>
\n\t“Spartacus” (1960)\t<\/em><\/p>\n

\t53\t<\/font>
\n\tGabriella Pescucci\t<\/strong>
\n\t“A \u00c9poca da Inoc\u00eancia” (1993)\t<\/em><\/p>\n

\t52\t<\/font>
\n\tElois Jenssen\t<\/strong>
\n\t“Sans\u00e3o & Dalila” (1950)\t<\/em><\/p>\n

\t51\t<\/font>
\n\tTheodor Pistek\t<\/strong>
\n\t“Amadeus” (1984)\t<\/em><\/p>\n

\t50\t<\/font>
\n\tElizabeth Haffenden\t<\/strong>
\n\t“Ben-Hur” (1959) – “O Homem que N\u00e3o Vendeu sua Alma” (1966)\t<\/em><\/p>\n

\t49\t<\/font>
\n\tJohn Mollo\t<\/strong>
\n\t“Star Wars” (1977) – “Gandhi” (1982)\t<\/em><\/p>\n

\t48\t<\/font>
\n\tCecil Beaton\t<\/strong>
\n\t“Gigi” (1958) – “My Fair Lady” (1964)\t<\/em><\/p>\n

\t47\t<\/font>
\n\tDonald Brooks\t<\/strong>
\n\t“Minha Ador\u00e1vel Espi\u00e3” (1970)\t<\/em><\/p>\n

\t46\t<\/font>
\n\tMiles White\t<\/strong>
\n\t“O Maior Espet\u00e1culo da Terra” (1952) – “A Volta ao Mundo em 80 Dias” (1956)\t<\/em><\/p>\n

\t45\t<\/font>
\n\tPaul Zastupnevich\t<\/strong>
\n\t“O Destino de Poseidon” (1972)\t<\/em><\/p>\n

\t44\t<\/font>
\n\tBob Mackie\t<\/strong>
\n\t“Dinheiro do C\u00e9u” (1981)\t<\/em><\/p>\n

\t43\t<\/font>
\n\tRay Aghayan\t<\/strong>
\n\t“Funny Lady” (1975)\t<\/em><\/p>\n

\t42\t<\/font>
\n\tJanet Patterson\t<\/strong>
\n\t“O Piano” (1993)\t<\/em><\/p>\n

\t41\t<\/font>
\n\tJudianna Makovsky\t<\/strong>
\n\t“A Vida em Preto e Branco” (1998)\t<\/em><\/p>\n

\t40\t<\/font>
\n\tTony Walton\t<\/strong>
\n\t“Mary Poppins” (1964)\t<\/em><\/p>\n

\t39\t<\/font>
\n\tDonfeld\t<\/strong>
\n\t“A Honra do Poderoso Prizzi” (1985)\t<\/em><\/p>\n

\t38\t<\/font>
\n\tMorton Haack\t<\/strong>
\n\t“Planeta dos Macacos” (1968)\t<\/em><\/p>\n

\t37\t<\/font>
\n\tTheadora Van Runkle\t<\/strong>
\n\t“Bonnie & Clyde – Uma Rajada de Balas” (1967)\t<\/em><\/p>\n

\t36\t<\/font>
\n\tNorma Koch\t<\/strong>
\n\t“O que Ter\u00e1 Acontecido a Baby Jane?” (1962)\t<\/em><\/p>\n

\t35\t<\/font>
\n\tEdward Stevenson\t<\/strong>
\n\t“O Jogo Proibido do Amor” (1960)\t<\/em><\/p>\n

\t34\t<\/font>
\n\tMarik Vos\t<\/strong>
\n\t“Fanny & Alexander” (1983)\t<\/em><\/p>\n

\t33\t<\/font>
\n\tNgila Dickson\t<\/strong>
\n\t“O Senhor dos An\u00e9is” (2001)\t<\/em><\/p>\n

\t32\t<\/font>
\n\tPiero Gherardi\t<\/strong>
\n\t“A Doce Vida” (1961)\t<\/em><\/p>\n

\t31\t<\/font>
\n\tPhyllis Dalton\t<\/strong>
\n\t“Doutor Jivago” (1965)\t<\/em><\/p>\n

\t30\t<\/font>
\n\tOrry-Kelly\t<\/strong>
\n\t“Quanto Mais Quente Melhor” (1959)\t<\/em><\/p>\n

\t29\t<\/font>
\n\tJames Acheson\t<\/strong>
\n\t“O \u00daltimo Imperador” (1987)\t<\/em><\/p>\n

\t28\t<\/font>
\n\tMoss Mabry\t<\/strong>
\n\t“Assim Caminha a Humanidade” (1956)\t<\/em><\/p>\n

\t27\t<\/font>
\n\tVittorio Nino Novarese\t<\/strong>
\n\t“Cleop\u00e1tra” (1963)\t<\/em><\/p>\n

\t26\t<\/font>
\n\tMarjorie Best\t<\/strong>
\n\t“Dez Passos Imortais” (1960)\t<\/em><\/p>\n

\t25\t<\/font>
\n\tBilly Travilla\t<\/strong>
\n\t“Aventuras de Don Juan” (1949)\t<\/em><\/p>\n

\t24\t<\/font>
\n\tAnn Roth\t<\/strong>
\n\t“O Paciente Ingl\u00eas” (1996)\t<\/em><\/p>\n

\t23\t<\/font>
\n\tHoward Shoup\t<\/strong>
\n\t“Rebeldia Indom\u00e1vel” (1967)\t<\/em><\/p>\n

\t22\t<\/font>
\n\tPiero Tosi\t<\/strong>
\n\t“A Gaiola das Loucas” (1979)\t<\/em><\/p>\n

\t21\t<\/font>
\n\tPatricia Norris\t<\/strong>
\n\t“O Homem-Elefante” (1980)\t<\/em><\/p>\n

\t20\t<\/font>
\n\tRenie Conley\t<\/strong>
\n\t“Cleop\u00e1tra” (1963)\t<\/em><\/p>\n

\t19\t<\/font>
\n\tColleen Atwood\t<\/strong>
\n\t“Chicago” (2002)\t<\/em><\/p>\n

\t18\t<\/font>
\n\tDanilo Donati\t<\/strong>
\n\t“Casanova de Fellini” (1976)\t<\/em><\/p>\n

\t17\t<\/font>
\n\tAlbert Wolsky\t<\/strong>
\n\t“All That Jazz” (1979)\t<\/em><\/p>\n

\t16\t<\/font>
\n\tMargaret Furse\t<\/strong>
\n\t“Ana dos Mil Dias” (1969)\t<\/em><\/p>\n

\t15\t<\/font>
\n\tJohn Bright\t<\/strong>
\n\t“Raz\u00e3o e Sensibilidade” (1995)\t<\/em><\/p>\n

\t14\t<\/font>
\n\tGile Steele\t<\/strong>
\n\t“Tarde Demais” (1949)\t<\/em><\/p>\n

\t13\t<\/font>
\n\tSandy Powell\t<\/strong>
\n\t“Shakespeare Apaixonado” (1998)\t<\/em><\/p>\n

\t12\t<\/font>
\n\tAnthony Powell\t<\/strong>
\n\t“Tess” (1980)\t<\/em><\/p>\n

\t11\t<\/font>
\n\tMary Wills\t<\/strong>
\n\t“O Di\u00e1rio de Anne Frank” (1959)\t<\/em><\/p>\n

\t10\t<\/font>
\n\tMilena Canonero\t<\/strong>
\n\t“Carruagens de Fogo” (1981)\t<\/em><\/p>\n

\t9\t<\/font>
\n\tJenny Beavan\t<\/strong>
\n\t“Uma Janela Para o Amor” (1986)\t<\/em><\/p>\n

\t8\t<\/font>
\n\tWalter Plunkett\t<\/strong>
\n\t“Sinfonia em Paris” (1951)\t<\/em><\/p>\n

\t7\t<\/font>
\n\tBill Thomas\t<\/strong>
\n\t“Spartacus” (1960)\t<\/em><\/p>\n

\t6\t<\/font>
\n\tHelen Rose\t<\/strong>
\n\t“A Bela e a Fera” (1952)\t<\/em><\/p>\n

\t5\t<\/font>
\n\tDorothy Jeakins\t<\/strong>
\n\t“Sans\u00e3o e Dalila” (1950)\t<\/em><\/p>\n

\t4\t<\/font>
\n\tJean Louis\t<\/strong>
\n\t“\u00c0 um Passo da Eternidade” (1953)\t<\/em><\/p>\n

\t3\t<\/font>
\n\tIrene Sharaff\t<\/strong>
\n\t“Amor, Sublime Amor” (1961)\t<\/em><\/p>\n

\t2\t<\/font>
\n\tCharles LeMaire\t<\/strong>
\n\t“A Malvada” (1950)\t<\/em><\/p>\n

\t1\t<\/font>
\n\tEdith Head\t<\/strong>
\n\t“Crep\u00fasculo dos Deuses” (1950) – “Um Lugar ao Sol” (1951) – “Janela Indiscreta” (1954) – “Os P\u00e1ssaros” (1963)
\n\te mais 35 Indica\u00e7\u00f5es ao Oscar de Figurino\t<\/em>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[8],"tags":[],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p3r4yy-28i","_links":{"self":[{"href":"https:\/\/spoilermovies.com.br\/wp-json\/wp\/v2\/posts\/8202"}],"collection":[{"href":"https:\/\/spoilermovies.com.br\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/spoilermovies.com.br\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/spoilermovies.com.br\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/spoilermovies.com.br\/wp-json\/wp\/v2\/comments?post=8202"}],"version-history":[{"count":0,"href":"https:\/\/spoilermovies.com.br\/wp-json\/wp\/v2\/posts\/8202\/revisions"}],"wp:attachment":[{"href":"https:\/\/spoilermovies.com.br\/wp-json\/wp\/v2\/media?parent=8202"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/spoilermovies.com.br\/wp-json\/wp\/v2\/categories?post=8202"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/spoilermovies.com.br\/wp-json\/wp\/v2\/tags?post=8202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}